there is nothing left to worry about
the sun and her flowers are here.
— Rupi Kaur
With this line, the exhibition unfolds.
Vid Svetina (b. 1999) presents a body of work in which flowers, silhouettes, and layered color fields function not merely as decorative motifs, but as emotional structures. The poetic reference is not sentimental — it serves as an entry point into a visual language that negotiates vulnerability, reassurance, and inner turbulence.
Working between analog photography, abstraction, and painting, Svetina reduces complex psychological states into direct symbols: a flower, a body, a horizon line, a rainbow-like frame. These elements appear simple, almost naïve, yet they operate within carefully constructed compositions. Transparency, overlay, and repetition generate tension between fragility and control.
The works oscillate between diary and declaration. They suggest comfort while simultaneously exposing uncertainty. In this sense, the exhibition becomes less about illustration and more about navigation — a movement through emotional landscapes shaped by contemporary anxieties and private introspection.
At AK Galerie Berlin, this presentation introduces Svetina as a young artist whose practice balances immediacy with compositional awareness. The simplicity is deliberate. The softness is constructed. The flowers are not decoration — they are structure.
